Sensory Overload of Sounds - Listen Sounds in an Empty Room

The deform of architecture is influenced by a series of events. This theory paper is a situation of individual events and sequences of sounds in a room, depicting a series of events and the relationships between them. It begins with the perspective, behaviors and sensory overload of sounds of Autism Spectrum Disorder (ASD) and the sense of sound: silence. One purpose is to ensure that the objects and sounds unfamiliar and increase the difficulty and length of the feeling. The second purpose is to combine a sense of the sounds in the room, soundwalk, and transforming the space to bridge the sensitivity and perception of sounds in space.

Every space is shaped by human activity and is full of objects designed by people to be used in a specific way; it has the smallest details of the architecture and architectural accessories, in this way, using space with a different perception and thoroughly experiencing different dimensions of space.

For the special behavior of someone with ASD, some of them used to walk along the wall and any objects they pass through. They created a different soundscape of the space they are located in. Every space has its own soundscape triggered by human behaviors. Through we gently stroke walls and objects; or when we use architectural accessories, we can hear nuances of architectural materials and objects. These spatial frames are medium or filters, and they divide the space physically, visually, auditory.
Through we gently stroke walls and objects; or when we use the space, we can hear nuances of architectural materials and objects. The subtle sounds are deformed from then till now and keep deforming the space through the events and the visitors. What sound do you hear now?