SENSORY OVERLOAD
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Endlessly being in motion, having to break out violently again and again, never coming to rest, being in a foreign place again from one moment to the next... Our concert led the audience into a spatial installation of movement, searching, listening, and experiencing.
​The search for homeland and territorial claims is a timeless theme that we wanted to make tangible through
Israel in Egypt together with the Taiwanese multimedia artist Chi-Han Feng.
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mirrorsteps
Still Moving
Heimat?
The Moving Scenes
Cinema 9-1
Reality of Deformation
the state of sounds
Sensory Overload of Sounds

HEIMAT?
Händel – Israel in Egypt
Konzert / Projektion / Installation

May. 2024
Frankfurt am Main, Hofheim am Taunus, Heidelberg, Germany
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Concert and Installation
(DE)
​Endlos in Bewegung sein, immer wieder gewaltsam neu aufbrechen müssen, nicht zur Ruhe kommen, von einem Moment an wieder in der Fremde sein… Unser Konzert führte das Publikum in eine räumliche Installation der Bewegung, des Suchens, des Hörens und des Erfahrens. 
Die Suche nach Heimat und territoriale Besitzansprüche sind ein zeitloses Thema, das wir durch Israel in Egypt zusammen mit der taiwanischen Multimedia-Künstlerin Chi-Han Feng erfahrbar machen wollten.
​
(ENG)
Endlessly being in motion, having to break out violently again and again, never coming to rest, being in a foreign place again from one moment to the next... Our concert led the audience into a spatial installation of movement, searching, listening, and experiencing.
​The search for homeland and territorial claims is a timeless theme that we wanted to make tangible through Israel in Egypt together with the Taiwanese multimedia artist Chi-Han Feng.
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